ballade de johnny-jane ジョニーとジェーンのバラード

洋楽の紹介! johnny:rock,singer-songwriter,folk, acoustic,electronic jane: female vocalists

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Category :  johnny (rock,ambient etc...)
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info:Sub Pop Records Page here

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(DELUXE 10TH ANNIVERSARY EDITION)

Track Listings
1. The District Sleeps Alone Tonight
2. Such Great Heights
3. Sleeping In
4. Nothing Better
5. Recycled Air
6. Clark Gable
7. We Will Become Silhouettes
8. This Place Is A Prison
9. Brand New Colony
10. Natural Anthem
11. Turn Around
12. A Tattered Line Of String
13. Be Still My Heart
14. There s Never Enough Time
15. Suddenly Everything Has Changed
16. Against All Odds (Take A Look At Me Now)
17. Grow Old With Me
18. Such Great Heights (John Tejada Remix)
19. The District Sleeps Alone Tonight (DJ Downfall Persistent Beat Mix)
20. Be Still My Heart (Nobody Remix)
21. We Will Become Silhouettes (Matthew Dear Remix)
22. Nothing Better (Styrofoam Remix)
23. Recycled Air (Live On KEXP)
24. We Will Become Silhouettes (Performed by The Shins)
25. Such Great Heights (Performed by Iron & Wine)

The Postal Service YouTube Playlist here



johnny




スポンサーサイト
Category :  johnny (rock,ambient etc...)
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“Applesauce”, “Amanita”, and “Moonjock”.







via : the Creatorsproject
Page here

johnny


Category :  johnny (rock,ambient etc...)
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New Bibio album out 14th May 2013.

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Warp Records Bibio Page here
"I don't usually have a preconceived theme for an album before I start making one, to do so would perhaps feel like a restriction further down the line, one that might inhibit natural creative flow and get in the way of new ideas. Restriction is quite different to limitation though, limitations can of course tease out creativity, like how the limitations of a haiku or a limited palette of colours can force you to be more mindful and selective. If there was a preconceived idea before this album started coming together, it was a fairly vague one: to focus more on an organic and live sound and to record more guitar and other live instrumentation. However, I'm no purist, so I don't restrain myself from taking stylistic diversions, to do so might be to dispose of the unplanned. As a result this album feels to me as eclectic as my previous two albums. There is a certain 'let nature take its course' attitude with my approach to making an album, this is because I know discoveries can often be more rewarding than stringently directing even the grandest of ideas. After working long and hard on an album, however, I crave change… like you might crave spring after winter. I love seasonal change, it affects me a lot. I like the idea of comparing albums to seasons - they stand alone yet are part of a bigger story. They complement each other. So this album, to an extent, started out with the desire for a new 'season', contrasting somewhat with the previous.

Although the majority of my tracks get started and finished in my studio, I occasionally take things outside where I've found the process and the result to be refreshing. The recording of 'À tout à l'heure' started out in my garden on a gorgeous sunny day when it felt morally wrong to be hidden away indoors. I still had the urge to make music so I limited myself to a few bits of gear and set up in my garden: a 12 string guitar, an MPC sampler, a microphone and a cassette recorder. I drummed on objects in the garden, like a plastic watering can and 'snipped' garden shears for percussion parts. The guitar part was something I had been developing over some time in my head but it was this change of environment that led to recording the backbone of this song, which I then continued to build upon in my studio later. When I listen to the intro of that track now, I still hear the sunshine and the garden in it because for me it's like a photograph of that moment. No doubt the sunny outdoors inspired the lyrics too.

With the song 'Dye The Water Green' (my personal favourite off the album) I remember going into my brick-wall shed in the garden for a change of scenery and to capture the sound of rain on the tin roof, I remember recording additional musical ideas around a guitar riff I had previously come up with, capturing them to an old ghetto blaster. I remember feeling at the time that I wouldn't have come up with the same things if I was in my studio. I think putting yourself in different environments affects how you feel and act and essentially can lead to more variety."

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Silver Wilkinson artwork by Bibio



johnny


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AZEALIA BANKS
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LINDBERGH PALACE
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AZEALIA BANKS THE STROKES cover.
produced by Lindbergh Palace.

johnny


Category :  johnny (rock,ambient etc...)
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lo go
XL Recordings Page here

Atoms For Peace -New Video For Ingenue

Thom Yorke and contemporary dancer Fukiko Takase dance.

Director: Garth Jennings



johnny


Category :  johnny (rock,ambient etc...)
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Warp Records Page here

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The self-titled record represents a distillation of Jamie Lidell’s sonic foundations, with the collaborations of 2010’s Compass replaced with an approach that is pure and wholly Lidell - eleven tracks further proving his ability to upend expectations of the ways man and machine can make music together. The self-produced album was committed to tape and mixed at Lidell’s newly built studio in his new home in Nashville, the latest stop on a restless journey that has seen him move from his birthplace in the heart of England, through the musical hotbeds of Berlin and New York.

Released 18th February 13

Jamie Lidell
New album 'Jamie Lidell' out now
01 - I'm Selfish
02 - Big Love
03 - What A Shame
04 - Do Yourself A Faver
05 - You Naked
06 - why_ya_why
07 - Blaming Something
08 - You Know My Name
09 - So Cold
10 - Don’t You Love Me
11 - In Your Mind



johnny


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